Wordsworth Poems World Premiere

Just a block away from London’s Houses of Parliament stands St. John’s Smith Square, a church with quite a history. Built in 1710 it burnt down in 1742, was rebuilt and hit by lightning in 1815, rose from the ashes again and offered room in the interbellum to a boy’s choir with Benjamin Britten one of its members. On the 10th of May 1941 the church was bombed by the nazis and it took until 1969 before the city decided to rebuild the church in its old splendor. Since then St. John’s Smith Square became a concert venue for high ranking musicians. A few of May 2017 concerts: The Orchestra of the Age of Enlightenment (2/05/17), pianist Alexander Gavryluk (03/05/17), and the young British Ferio Saxophone Quartet (11/05/17).
The last concert features amongst others a selection of Guillermo Lago’s Ciudades. Recently, on the 23rd of april the same quartet in this venue performed the world-premiere of Lago’s The Wordsworth Poems, inspired on three poems by William Wordsworth (1770-1850).
Why Wordsworth? When Lago received the Ferio Quartet’s invitation to write a new composition he asked the four musicians what poet they really love and admired and what their favorite poem would be. Ferio suggested Wordsworth right away, a romanticist ‘pur sang’, who described the decline of rural England in wonderful playful poetry. Their most beloved poem was Composed Upon Westminster Bridge and Lago used this as an inspiration for the first movement. He selected two more poems for the next two movements: With Ships the Sea was Sprinkled Far and Nigh and Composed during a Storm.
The recent assault on the 22nd of March on Westminster Bridge being a very fresh memory gave the opening movement, very enchantingly performed by the Ferio, an inevitable character of a ‘In Memoriam’. The tranquil opening theme reappears in the following two movements as an indication of an old world we left behind us.  What replaces that old world? Disquiet and hectic pace, elements that occur in Lago’s music too. Yet in Ferio’s interpretation transparant beauty and contemplation prevail. While thousands run outside the concert hall in London’s marathon Ferio creates a mood of deep concentration.
Good news for those who could not attend this memorable concert in London: the Ferio Quartet very recently recorded The Wordsworth Poems with the Chandos label together with Lago’s full cycle Ciudades and other works, by French composers. The CD will be presented on the 14th of July 2017, adding a jewel to the repertoire for saxophone quartet.
© 2017 Saskia Törnqvist  (translation Willem van Merwijk)

Similar Posts

  • TIEF and Marijn Migchielsen

    Last Monday Marijn Migchielsen and Rommert Groenhof premiered my TIEF! for two contrabass trombones at Marijn’s Masters Exam at Codarts Rotterdam, the Netherlands. And I could not be there….. (family reasons) I wrote the piece especially for this occasion. To miss one of the most outstanding bass trombone performances ever (at least that is what…

  • Bosquejos del Bosco (sketches of Bosch) Premiere

    Yesterday saw the premiere of ‘Bosquejos Del Bosco’ (sketches of Hieronymus Bosch; schetsen van Jeroen Bosch) for solo clarinet at the Dutch Clarinet Festival 2016 ‘Royal Clarinets’ concert. Royal because the full clarinet section of the Royal Concertgebouw Orchestra were the featured soloists at this concert. My piece was performed by Arno Piters (who also happens to…

  • World premiere of ‘Energía’

    Yesterday night I witnessed the world premiere of my work ‘Energía’ by the Trio Abril and it was simultaneously their ‘world premiere’; their first concert. All this in a small venue in the lovely town of Naarden near Amsterdam (the Netherlands). An all-star trio with Juani Palop (soprano, alto & tenor saxophones), Arno Bornkamp (alto…

  • Adaptation Canciones Flamencas

    The sax/percussion duo Lorenci/Mlacnik from Slovenia (both of them studying in Amsterdam at the ConservatoriumVanAmsterdam) asked to make an alto sax version of the three Canciones Flamencas, originally for soprano saxophone and marimba (+ bass drum ad lib.). I am a fan of the duo so I could not say no although I am really…

  • Xenon, Summerwinds and Ciudades!

    Last Thursday 1st of September 2022 I drove to a small town in Germany called Oelde to witness the premiere of the ‘four saxes plus symphony orchestra’ version of three Ciudades (Córdoba, Sarajevo and Addis Ababa). Performed by the wonderful Xenon Quartet and the Nord West Deutsche Phiharmonie in an open air venue in a…

  • Duo Lorenci-Mlacnik

    It’s been quite a time that I posted something, to busy composing (for Mirasol Duo, Studenten Cantorij Utrecht – Ties Mellema and Arno Piters) and performing (with the Netherlands Wind Ensemble). More on the new compositions soon. This post about a wonderful sax-percussion duo from Slovenia, Janina Lorenci and Lola Mlacnik, both studying at the…